advertising, data planning, debating, marketing, opinionating

The Un-Negotiated Contract: How the model changed, and why the fight for access to data and information has never mattered more

this post first appeared on Mumbrella

At some point in the last decade a long-established contract between people, media and brands fundamentally changed. What is gradually and incrementally replacing it is an un-negotiated contract – in which information is the new currency, insights and utility are the new value, and the fight for the control of data -whether you realise it or not – is one in which you are already engaged.

The nature of the contract we’re currently negotiating will have huge implications for consumers, brands, media businesses and governments. Whether its the strategies employed by brands, the deals made in market, or the data that’s shared with our governments – how this emerging contract nets out will affect us all, and is already shaping the industry around us.

The broadcast interruption model that emerged in the 1950s was a ruthlessly effective and potent means of value exchange. Everyone involved (which was everyone) won. It was ruthlessly simple – brands gave broadcast media dollars which paid for content that people viewed, and which brands interrupted to get people’s attention.

mediation_broadcast_interruption_model

The model was so awesome that it even accommodated channel-neutrality – it worked as well for print and radio as it did for TV, but at some point in the last decade this ruthlessly simple and effective model started to break down. Fragmentation of channels led to fragmented viewing and audiences – necessitating more investment by brands to reach the same number of people. Set-top and on-demand technologies allowed viewers to skip brand messages (although the evidence is that this was largely off-set by higher viewing in PVR households), the internet changed, well, everything … and a new generation of media businesses and brands emerged that weren’t dependent on the broadcast interruption model – or more specifically the currency that drove it.

Because what sat at the heart of that model and the old established contract – its currency – was the ad. Adverts were what media organisations sold, what brands placed and what viewers watched. They were the centre of the contract’s gravity – so much so that the very concept of advertising became synonymous and interchangeable with its most predominant vehicle … the advert.

What has tacitly emerged over the last decade has been a fundamental reworking of the relationships between the various participants in the deal – to the extent that I now think we’re working with something that looks more like this:

mediation_unnegotiated_contract

The emergence of new media businesses built on data – rather than broadcast ad interruption – is one of the key drivers of this new as yet un-negotiated contract. Google, Facebook, Twitter are of course the obvious examples but so too are companies like Amazon and Ebay – they revenue-generate based on the data they accumulate, and the insight this subsequently generates for advertisers. Ads are still of course part of the equation but they are no longer the point of the model … rather information is.

Better information allows and enables brands to have better contacts and connections with people … something Will Collin discussed on Mumbrella back in October in a brilliant piece that made the case for a focus on reciprocity in how brands engage people – I’ve called it utility above but the point is the same. It’s about how data and information fuel better brand ideas – ideas that are not only increasingly necessary in our fragmented cluttered world, but which are also proven to generate disproportionate ROI versus optimisation of the channel plan.

So far so nice theory, but so what? Well, what this affords us is a framework to understand the various terms of engagement being played on in what will probably be come to be understood as the data wars. Early skirmishes and alliances in an emerging contract based not on ads, but on information.

New models are emerging between brands, media owners and agencies based on information and data rather than just ads media spend. For example this case of how Twitter data is delivering new targeting capabilities.

Ads are, of course, still in play but data and information is what the new contract is predicated upon. Expand ‘media’ in the above model to include (media) agencies and you understand why the positionings around Audience Management Platforms and audience data are so vital to those involved – its about who controls the insight (and therefore the revenues).

It’s also why brands are (1) increasingly asking why they shouldn’t retain full control and analysis of their own data and (2) why some brands are looking to cut media out all together and go direct to customers (existing or potential) based on the data and information they own. Nike have used this strategy with Fuel, whilst brands like Burberry use a hugely disproportionate amount of their own media to reach people direct. Its also why media businesses now ruthlessly collect and protect first party data, and why the sharing of that data with frememies to match the demand-scale generated by agency groups makes media owners so nervous.

But its between people and the media where the contract is perhaps most vociferously being negotiated. Between Google and the European Courts with legislation that allows people to force Google to delete their data (or at least the links to their information); Facebook’s privacy settings tidy-up was part of this negotiation, as is any site’s publication of it’s cookie and targeting policy.

The other huge players in this part of the negotiation are the telcos (and I include Apple in this bracket) – whose efforts to win the Triple Play wars were awesomely captured by Nic Christensen here last month. This is important for two reasons … first, the Telcos are emerging as some of the biggest accumulators of data – that makes them significant players in the emerging contract and secondly, like the big Bay Area media companies, the data they accumulate can be appropriated by government agencies without our explicit consent.

The fact is that it has been the emergence of this new model, and the concentration of such vast quantities of people’s data into new media businesses and telecoms companies, that has fueled US, UK and other government agencies desire and demand to acquire that data as part of their ambition to ‘master the internet’.

And yet despite all of this the contract remains un-negotiated.

The conversations and debates required to do so are fragmented and diverse, but there are huge implications for brands, agencies and media businesses depending on just how that negotiation pans-out. Who own’s people’s data? Who gets to sell or target and re-target based on that data? How aggressively should and could brands pursue collection of their own customer data? Should it be made more explicit that someone’s data is being captured for advertising or targeting purposes?

To be absolutely clear, it is my opinion that this new contract is an eminently good thing. It is the emergent data and information-based value model that has given all of us access to search, social media, online marketplaces, and a world of information, education and entertainment.

What the contract promises is awesome – but to deliver, it must first be negotiated.

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adserving, broadcasting, distributing, television, viewing

The Netflix Spark: Why the arrival of the SVOD platform heralds a more even distribution of the future for everyone

so yesterday as I was meandering along the freeway in Melbourne I heard the most startling comment on the radio. a contributor to the city’s 3AW station was talking through the highlights of the evenings TV schedule – and suggested that because TV was ‘out of ratings season’ there wouldn’t be much to watch that evening … she gave a special shout-out to Nine who “bless them, were treating us to a new episode of Person of Interest”.

that broadcast TV networks take their foot off the pedal whilst out of season in order to hold new content back for the weeks when ratings is once again tracked is one thing – but for it to be such a consumer-facing matter of fact took me by more than a little surprise. this after all isn’t an industry conversation or debate, but a public radio station – openly discussing the fact that a TV network was “treating” the audience by actually offering them something new to watch.

this rather startling starting point underlines the extent of the firestorm now fully smoldering in the Australian TV market – the spark for which came courtesy of Netflix. on November 19th, after months of rumours and speculation, Netflix finally announced (with timing naughtily designed to crash Nine’s AGM) that it would launch in Australia in March 2015. the response from local Aussie players had been in development for some time. in short:

  • Foxtel, who arguably have most immediate disruption to face, have revisited their pricing strategy across the board and in particular halved the price tag of Presto (their SVOD or Streaming Video On Demand service) to $9.99. in addition they’ve partnered with Seven West Media who will contribute programming to the service from next year.
  • Nine and Fairfax’s joint forces have combined to create the $100m SVOD service StreamCo – with the consumer-facing platform brand Stan. Stan has subsequently announced deals with CBS, BBC Worldwide, MGM and SBS (who will bring their world movies to the party).

all of which leaves us with a three horse race between Netflix, Presto and Stan right?

wrong.

in fact it’s barely the beginning.

there’s Quickflix, Fetch TV, the individual channel catch-up services, Ten have yet to pick a dance partner, the ABC’s iView and of course YouTube – which in July accounted for over 1.5m content streams, reaching almost 11.5m people (source).

taken together there’s increasing volumes of views being delivered to the 50% of Aussies who watch online content. the numbers are already big … according to Nielsen in July there were 2.7bn streams (and that was down on June), and time spent streaming is increasing – up to around 8hrs per person per month generating 6.5bn minutes of streamed content.

and Netflix is still three months away.

the impacts of all this will be significant; in the immediate term there is undoubtedly going to be a firestorm for views and scale – brace for plenty of press releases in the first quarter of 2015 about content deals, views and reach. in the medium term this will play out in a battle for content – with many shows already locked away in local deals, there will be fierce competition between the platforms as distribution rights cycle into play.

the long-term implications will be two-fold. firstly, with increasingly fragmented and diverse platforms and viewing services, advertisers and their agencies will increasingly rely on programmatic solutions to build reach quickly. in addition many advertisers and ad agencies will finally be forced to break out of the ‘advert’ model – using instead platform-neutral content strategies that can adapt to content and context more quickly – generating more relevance for brands’ comms. think native content in video form.

the second long-term implication will be the long-overdue radical shift in viewer expectations. more choice, more freedom to choose what we watch and where, how and when we watch it. this future has been a long-time coming, and has been with some for much longer than others  … as William Gibson so magnificently put it, the future is already here – its just not evenly distributed.

strap in people … because what’s coming is a radically more even distribution of the future – a future in which the idea of being “treated” to a new episode of Person Of Interest by a network, may by as incredulous as the very idea of tuning in to a broadcast network in the first place.

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engaging, radio

Being a true version of yourself: Lessons on transparency from Kyle and Jackie O, and Bethany Mota

so today PHD Australia – as part of our Conversations series – was lucky enough to host a session in which Kyle and Jackie O shared some of their experiences of radio and broadcasting with the agency and some of our awesome clients. it struck me that Kyle and Jackie O were talking about exactly the same thing that Bethany Mota was talking about in a Google Brandcast event for YouTube only a few weeks ago. Transparancy.

both Kyle and Bethany answered a question on what sat behind their success with that same answer – you have to be yourself.

in Bethany’s case she was asked about what enabled her to move so seamlessly between categories … its a marketer’s question clearly, but what struck me was the almost dismissiveness of the answer – there was a sense that it didn’t matter, it was irrelevant what Bethany was up to or talking about … because it was always her doing it. her authenticity is what enabled her to move between fashion, dancing, cooking and now pop-stardom so effortlessly.

I was reminded of that comment today as Kyle was riffing on his relationship with Jackie O, audiences and brands … in all those instances he observed that you have to be – and stay – transparent.

On their on-air relationship and how it translates into audiences, Jackie observed that “people can see through when its forced … people want real chemistry” – it was that authentic chemistry that she said was behind her and Kyle friendship off-air and partnership on air. as Kyle put it: “for years people on TV and radio have been a false version of themselves”.

the same is true of their approach to, and relationship with, brands. Jackie acknowledged that “in this day and age you can’t do contests without client integration” but observed that some of their most memorable content had been through working with brands to create something engaging and compelling for the listener. what something engaging and compelling isn’t are on-air reads – which Kyle hated because he often didn’t know what he was even selling.

its commonality between these two very different media personalities that’s interesting – the established radio duo as entrenched in the paradigms and conventions of traditional media as you get, and the YouTube internet influencer rewriting the rules of what celebrity is. both are stories of authenticity and transparency … and perhaps most of all of being – in Kyle’s words – a true version of yourself.

as advice for brands and communications strategies go – you could do a lot worse.

big thanks to Kyle, Jackie, all the guys at ARN for today, and  Google for the event a few weeks back – and especially to Bethany for putting up with a very excited Chris Stephenson …

Chris and the Bethster

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